| I think that with the making of the Lord of the Rings trilogy of films Tolkien lost the title of the 'least-appreciated literary figure in modern English' and perhaps Stan Lee has taken over, by and large because comic books are yet to be seen a 'legitimate' literature which is, of course, a horribly disgusting snobbish attitude. English is unique in that, like it states in the BBC documentary "The Story of English", English has it's base wide and low to the ground. In other words, it's a language of the people and is far more organic than most languages today and recent history. English lit should be viewed the same way. My point is, Stan Lee is the least appreciated literary figure in the English language, with Ray Bradbury a close second. |
| Posts: 178 | Location: Currently Flint, MI | Registered: 28 December 2004 |
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| Well, I like to think that I am the least appreciated literary figure of our day, but I guess I have to actually HAVE a literary work in order to be a literary figure . . .
I agree with the original post here. Reading F451 in 9th grade changed my life and opened me up to an interest in and passion for a world of ideas. This has completely molded my life.
I am also a huge fan of Stan Lee. His ability to turn comic books into literary works was/is amazing. Spiderman was morally ambiguous, conflicted, interesting, powerful yet vulnerable, witty, etc. Stan Lee created characters who were complex and stories that were thought provoking. Spiderman, Thor, Dr. Strange, Silver Surfer, etc . . . these are characters that got me ready for the complexity of "real" literature, philosophy, theology, and poetry. Stan Lee was my preparation for a life immersed in ideas, story, and mythology. |
| Posts: 2769 | Location: McKinney, Texas | Registered: 11 May 2002 |
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| Stan Lee... A great man with a vivid imagination. What in the heck is he doing with that 'So You Want to be a Superhero' stuff on TV. IMHO it's a real sell-out for him, a comedown. |
| Posts: 349 | Location: Seattle, Washington State, USA | Registered: 20 July 2005 |
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| The significance of the stories in The Illustrated Man are the moral turmoils held within. In The Veldt, Bradbury reveals the rarely used theme of perenticide in a surrealistic nursery. Is it a truism that children, when left to their own devices are the worst conspirators to murder? It’s very Goldingish before ‘flies’ was penned. Secondly, in Kalidoscope, death, when it is sure to come, persuades moral character to reveal itself. The characters recycle through emotions, actions, and hypocracies that have defined them up until the moment of impact. Can characters change who they are? Does the meteor cloud change Applegate, or is his definition too ingrained? The answer, I think, is that man is defined by the sum of his actions, and Applegate’s heroic murder validates him to ‘go out in style!” Thirdly, The Illustrated Man, is a prime candidate to teach students via the auditory intelligence. Bradbury 13's are timeless radiodramas, that create mental pictures for students still learning to love reading. Thanks to Mr. Bradbury and 13's producers. JMcDonald |
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| Kaleidoscope is one of my all time favorite stories. To me it is stating lifes brevity, fragility, horror, and beauty. I loved the ending where the kid is walking down a country road with his mother and sees the meteor flash. How wonderfully tragic or tragically wonderful, take your pick. Help, Braling II. Stars too die, only to contribute to rebirth.
She stood silently looking out into the great sallow distances of sea bottom, as if recalling something, her yellow eyes soft and moist...
rocketsummer@insightbb.com
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| Posts: 1397 | Location: Louisville, KY | Registered: 08 February 2006 |
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