| Along with Dandelion's suggestions, consider this sequence of literary works: Julius Caesar, Animal Farm, Fahrenheit 451, 1984, and then conclude with Brave New World. Comparisons can be made on several levels and within a number of similar themes.
The rhetoric of Napoleon, Beatty, O'Brien, Mustafa Mond, and Antony vs. the struggles of Snowball & Boxer, Montag, Winston Smith, John and Watson, and Brutus.
The "less than senseless" common "vulgar" Romans, the proles, Mildred and her drug soothed friends, the Soma and Victory Gin induced societies of totally dystopian populations. Rampant technology - ego driven politics - common place militarism - apathy as a philosphy - illiteracy as a way to bliss - propaganda (on every screen, radio, barn wall, air wave and public address) - it's all there to be waded through. Whew!
Each work gives readers (students) definite reference points, hopefully, to remain critical and thus enabling them to strive to be better informed - in view of the events that form or influence their (our) own lives!
If not, future generations are destined to fit right into the stories and play the roles of the controlled masses.
Fahrenheit 451 is the only one of these titles which offers some glimmer of hope at the end. Yet, even Monatg is threadbare as he starts his walk to face the many challenges of his uncertain furure. And this occurs only after everything else in his life has been destroyed.
Versus Brutus in J.C. who loses all, too (his wife, home, friends, homeland, loyal followers). In the end, he chooses to die by his own sword rather than to become a bondsman to the likes of Mark Antony and his regime.
Other obvious parallels, Napoleon and his guard dogs, the firemen and the mechanical hound, Antony's immediate "hit list" once in power, Beatty and Mond's use of quotes and elimination of individual ideas, Faber and Benjamin and Bernard Marx (!?), dictatorships, slogans, control of the masses, and the struggle of a main character who, in the end, the reader realizes has faced some of the most classic and terrfying conflicts in fictional literature.
Agreed, Orwell's text can be a chore. However, the conclusion of 1984, as detestable as it proves to be, is as powerful a statement as any author has made in this genre. |